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Learn more. Movies Anywhere. Watch your purchase on Movies Anywhere supported devices. Once you select Rent you'll have 14 days to start watching the movie and 48 hours to finish it.

Can't play on this device. Check system requirements. Available on Xbox One. Mobile device. Xbox Description Nightcrawler is a pulse-pounding thriller set in the nocturnal underbelly of contemporary Los Angeles.

Cast and crew. Dan Gilroy Director, Writer. Bill Paxton Joe Loder. Riz Ahmed Rick. Rene Russo Nina. Jake Gyllenhaal Lou Bloom. Additional information Directors Dan Gilroy.

Directors Dan Gilroy. Studio Universal. The morning news director, Nina Romina, tells him the station is especially interested in footage of "graphic" accidents and violent crime in affluent, white areas.

Lou hires an assistant, Rick, a young hustler desperate for money. To give his footage more impact, Lou tampers with crime scenes: in one case moving a body to get a better camera angle.

As Lou's work gains traction, he buys better equipment and a faster car. Lou pressures Nina into a date, telling her he knows she is desperate for higher ratings.

On their date he threatens to terminate his business with Nina unless she has sex with him, and it is implied that she acquiesces.

Lou turns down an offer to work for Joe, but when Joe beats him to an important plane crash story, Nina demands that Lou get better footage and keep his end of their bargain.

In retaliation, Lou sabotages Joe's van; when it crashes, Joe is severely injured and Lou records the aftermath. Later, Lou and Rick arrive before the police at the site of a triple-homicide home invasion in an affluent neighborhood.

Lou records footage of the gunmen leaving in their SUV and of the victims in the house. The news staff fret over the ethics of the footage but Nina is eager to break the story.

In exchange, Lou demands public credit and more money. Police detective Frontieri shows up at Lou's apartment to question him about his connection to the home invasion.

He gives her edited footage of the incident, cutting out the parts with the gunmen. That night, Lou and Rick track down the driver to his house, staking out the house until his partner arrives.

Lou wants to follow them to a more crowded public area, then call the police and record the ensuing confrontation. Alarmed, Rick demands half the money Lou stands to make, threatening to tell the police about Lou's criminal negligence; Lou agrees.

When the gunmen stop at a restaurant, Lou phones the police, warning them that the suspects are armed.

They arrive and exchange gunfire. A police officer is shot and one of the killers is gunned down while the other manages to escape in the SUV.

The police give chase with Lou and Rick tailing and recording, but the police car crashes into traffic. Lou continues high speed pursuit and the gunman's SUV crashes as well.

Lou approaches the vehicle and urges Rick to film the gunman, claiming that he is dead. The wounded gunman shoots Rick and tries to escape but is shot by other police who have arrived on the scene.

As Rick lies dying, Lou films him and tells him that he cannot work with someone who has leverage over him. Nina is awed by the chase footage and expresses her devotion to Lou.

The news team discovers that the home invasion was actually the criminals breaking in to steal cocaine that the homeowners were stashing; Nina refuses to report this information to maximize the story's impact.

Police try to confiscate the footage as evidence but Nina defends her right to withhold it and airs it immediately. Interrogated by Frontieri, Lou fabricates a story about the men in the SUV following him; Frontieri knows he is lying, but cannot prove it.

Later, Lou hires a team of interns to expand his business. Detective Lieberman, Frontieri's partner, is portrayed by Price Carson. According to Dean Biron of Overland , " Nightcrawler is a shattering critique of both modern-day media practice and consumer culture.

PopMatters ' Jon Lisi believes that, because of Nina's actions, the film specifically targets journalists who exaggerate headlines in order to combat a decline in viewership.

Local politics and related matters that actually affect viewers' lives get short shrift. The exact genre of Nightcrawler has been the subject of debate.

It also has some strong dramatic elements and I think I understand the question as there's some really strong elements of drama. Gilroy conceived the idea for Nightcrawler in , after reading the photo-book Naked City , a collection of photographs taken by American photographer Weegee of s New York City residents at night.

Often lewd and sensationalized in content, Weegee would sell these photos to tabloid newspapers.

Intrigued by what he described as "an amazing intersection of art and crime and commerce", Gilroy wrote a film treatment with a " Chinatown feel".

Gilroy spent several years trying to write a plot that would fit the setting, and experimented with conspiracies and murder mysteries as central story elements.

Unable to create an interesting hero, he then envisioned an antihero as the lead character. Gilroy felt antiheroes were a rarity in films, because they are difficult to write, and usually devolve into psychopaths ; in an attempt to break from the stereotype, he thought of writing an antihero success story.

Ripley , were used as research on how to write antiheroes. To create Lou Bloom's character, Gilroy explored the ideas of unemployment and capitalism.

He wanted to portray Lou as someone who perpetually focuses on the precepts of capitalism, and how these thoughts not only give him sanity, but also push him over the edge.

This is depicted in the opening scene of the film, when Lou attacks a security guard, which informs the audience that Lou is a criminal, and not someone who lost his morality as a result of the job.

Once the script was finalized, Gilroy knew that he wanted to direct the film. He sent the script to his brother Tony Gilroy , and asked him for advice on directing.

His brother described the script as "absolutely compelling", and noted every person who read the script afterwards wanted to work on the project, a rarity in the film industry.

Gyllenhaal was Gilroy's first choice for the role of Lou. During pre-production, Gyllenhaal was going to star in another film, but that project fell through, allowing time to meet with Gilroy.

The dialogue is pretty extraordinary. Just even the style of the script was an amazing read", said Gyllenhaal. Riz Ahmed was one of seventy-five actors to audition for the role of Rick.

Gilroy told Ahmed that he had seen his previous work; he was not fit for the role, but still allowed him to audition. He found that most of the people dealt with abandonment issues, and attempted to replicate this in Rick's abusive relationship with Lou.

Gilroy specifically wrote the role of Nina for his wife Rene Russo; this was because he felt that Nina could easily be reduced to a "hard-nosed corporate bitch", but Russo would bring a sense of vulnerability to the character.

In order to accurately portray the character, Russo had to recall memories of when she crossed moral boundaries in her life as a result of desperation and fear.

In contrast to the preparations Gyllenhaal and Ahmed took for their roles, Russo did not consult news directors or journalists, as she believed that Nina could be in any business, and did not want to hinder her character to one profession.

One of the goals while filming Nightcrawler was to portray Los Angeles as having "an untamed spirit, a wildness, a timelessness, about it", and to not let the visuals dictate the dark tone of the script.

Gilroy believes that, in contrast to the desaturated, man-made feel that the city is often depicted with, Los Angeles is a "landscape of primal struggle and survival".

James Newton Howard composed the score for Nightcrawler. Unlike the large and cinematic scores that had previously defined his career, Howard composed moody electronica pieces for Nightcrawler , heavily influenced by s synth.

For example, in the scene when Lou moves a dead body to get a better angle, the music sounds triumphant instead of dark, which is meant to convey how excited Lou is about the shot.

Howard describes this as "an anthem of potential for his tremendous success". He believed that Lou could go through difficult situations easily and with a certain intelligence, and that orchestral music would best suit Lou.

In the video, Lou discusses his benefits for potential employers. These profiles purport the video production business that Lou runs in the film to be real, and endorse Lou's management and strategic planning skills.

Nightcrawler received acclaim from critics, many of whom praised Gyllenhaal's performance and Gilroy's screenplay.

The site's critical consensus reads: "Restless, visually sleek, and powered by a lithe star performance from Jake Gyllenhaal, Nightcrawler offers dark, thought-provoking thrills.

Reviewers call Gyllenhaal's character a "charming sociopath" and his performance "a bravura, career-changing tour-de-force". Orr called Gyllenhaal "tremendous" in the role and stated that the actor was learning to "channel an eerie, inner charisma, offering it up in glimpses and glimmers rather than all at once".

He also declared the role as Gyllenhaal's "best performance to date". He also found Russo's portrayal of Nina to be blatantly unethical and oblivious, and commented that she eventually becomes a caricature.

Nightcrawler was nominated for several awards , most of which went to Gyllenhaal's performance and Gilroy's screenplay.

It became a cause for people to promote it and get it seen", says Ortenberg. From Wikipedia, the free encyclopedia.

Theatrical release poster. Main article: List of accolades received by Nightcrawler. British Board of Film Classification.

Archived from the original on October 6, Retrieved October 3, The Numbers. Archived from the original on August 20, Retrieved March 19, British Film Institute.

Archived from the original on December 23, Retrieved December 22, Archived from the original on March 25, Retrieved November 3, Archived from the original on October 28, Retrieved October 27, The Progressive.

Deadline Hollywood. Archived from the original on October 26, Retrieved November 5, The Washington Post.

Archived from the original on May 11, Retrieved April 11, Archived from the original on April 12, Nerdist News.

Archived from the original on February 3, Retrieved January 30, Vanity Fair. Archived from the original on April 13, The Independent.

Archived from the original on February 13, Archived from the original on August 17, Retrieved July 28, The Hollywood Reporter. October 31, Archived from the original on August 24,

In the video, Lou discusses his benefits for potential employers. Additional information Directors Dan Gilroy. Https://adaesther.se/tv-serien-stream/dr-brgckner.php 4. Chicago Sun-Times. Size 7.

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